When I was a teenager, I didn’t think much about “style.” I thought about survival.
In a suburban public school where individuality could make you a target, I stuck to what felt safe: black Adidas shorts, gray Nike sweatpants, school hoodies, the same sneakers everyone else wore (of course, they were Nike Air Force 1s).
I convinced myself that blending in was comfort. But what I was really doing was disappearing.
Looking back, I can see how much clothing defined my self-image - not just what I wore, but what I didn’t allow myself to. For many teens, fashion isn’t only about trends or aesthetics; it’s a way of testing out identity. What feels right? What feels like me? And in 2025, those questions are being asked and answered on a much bigger stage: the internet.
Social media has turned the dressing room mirror into a global audience. From TikTok “fit checks” to Depop drops, teens are no longer waiting for approval from the cool kids at school, they’re finding community online. This generation isn’t just consuming fashion; they’re curating it, remixing it, and using it to challenge the old binaries of what’s acceptable to wear.
From bathroom mirrors to bedroom corners, self-styling starts where reflection begins.
When I started thrifting in 2020, the world was just starting to open back up, and so was I. After months of isolation, I craved something new that felt like me.
I remember going to the mall with my friends, buying fake nose rings at Claire’s just to see how I would look, and spending hours in thrift stores trying on oversized flannels, old band tees, and the kind of clothes I never would have worn before. Thrifting quickly became my life. It was a way to recreate the content I was seeing online and, in the process, begin to find myself.
That experience captures what thrifting means for many teens today. It's not only about saving money; it's about authorship. Every secondhand piece feels like a blank page that can be rewritten in your own handwriting.
Thrift stores became creative studios for Gen Z, turning old clothes into new stories.
The thrift boom is not just a social media trend; it's an economic reality.
The global secondhand apparel market reached $177 billion in 2024 and is projected to grow to $350 billion by 2028, according to ThredUp’s 2024 Resale Report. In the United States, the resale sector is expected to exceed $70 billion by 2029, expanding five times faster than the overall retail clothing market.
Gen Z is driving much of this growth. Morning Consult reports that 83% of Gen Z consumers have purchased or are open to purchasing secondhand clothing, with sustainability and individuality listed as the top motivators. Similarly, Statista (2025) notes that resale now represents nearly 18% of total apparel spending among Gen Z shoppers, up from 9% in 2020.
The global secondhand market is expected to double by 2028 (ThredUp, 2024).
This rise marks a shift away from the “haul” mentality of fast fashion. Instead of endless SHEIN boxes and identical Zara fits, teens are building wardrobes with a sense of story and self. Each thrifted item carries its own past, and in an era of algorithmic sameness, that sense of individuality feels more important than ever.
For decades, dressing well as a teenager meant dressing like everyone else. Now, the opposite is true. The new status symbol is authenticity. Teens today value looking intentional, not expensive.
According to Vogue Business (2024), “Gen Z’s fascination with vintage is about signaling taste, not wealth.” Owning something thrifted, like a pair of Levi’s 501s from the 1990s or a Y2K Juicy Couture hoodie, communicates both knowledge and individuality. It's a cultural currency that costs less but means more.
TikTok has accelerated this shift. Hashtags such as #ThriftFlip and #ThriftTok have billions of views, turning resale into entertainment, education, and inspiration all at once. Teens now learn to upcycle, dye, sew, and rework clothes themselves, reclaiming not only garments but agency over the process of getting dressed.
It's impossible to talk about thrift culture without mentioning climate anxiety. The United Nations Environment Programme estimates that fast fashion is responsible for 10% of global carbon emissions and 20% of wastewater.
Teens are aware of this.
McKinsey (2023) found that two-thirds of Gen Z respondents prefer brands that reflect sustainable practices, and over half say they “feel guilty” buying from unsustainable companies.
But while sustainability starts the conversation, self-expression sustains it. Thrift shopping allows young people to align their values with their visuals. It's a form of quiet rebellion that says, “I care about the planet,” and “I care about who I am” in the same breath.
Psychologists have long connected clothing with self-concept. As early as the 1950s, sociologist Herbert Blumer wrote that fashion is how we “seek social approval and self-definition.” Thrifting expands that idea by offering teens, especially queer youth, a creative and safe way to test identities.
In these spaces, imperfections become style. A scuffed pair of boots or a faded band tee is not flawed; it's real! A 2023 Switchback Event report on Gen Z thrift habits found that teens often prefer visibly worn pieces because they “feel lived in” and “carry stories.” Wearing those stories is a way of saying, “I do not need to be new to be enough.”
Thrifting has redefined what it means to participate in fashion. Instead of passively consuming, today’s teens are curating. Vintage Ralph Lauren sits next to thrifted Hot Topic. A grandpa sweater pairs with a 2000s chain belt.
It's not just style; it's storytelling. Every piece says something about where you have been, what you value, and who you are becoming. In a digital age where trends can change overnight, thrifted fashion offers something rare and grounding: a sense of self that cannot be replicated by anyone else.
When I first started exploring fashion online, I wasn't really searching for trends. I was looking for people who looked like me or who dressed the way I wanted to.
The internet made that possible. Platforms like TikTok, Tumblr, and Instagram turned quiet acts of self-expression into moments of connection. For queer teens, clothing isn't only about presentation; it's about belonging, identity, and freedom.
Online style communities have redefined masculinity and made self-expression visible to millions.
For many queer and questioning teens, the first sense of community begins online. A 2022 University of Brighton study found that “access to the Internet and social media is vital for many LGBTQ+ young people” because it provides both identity affirmation and creative inspiration (Jenzen, 2022).
Social media allows teens to test style safely and learn from others doing the same. Creators like Wisdom Kaye, Noah Beck, and Bretman Rock have blurred traditional ideas of masculinity, proving that expression and confidence can exist together. Queer creators on TikTok use fashion to challenge gender expectations, share thrift flips, and build spaces where creativity feels natural rather than risky.
A report from the Pew Research Center (2023) found that more than 60 percent of LGBTQ+ teens use social media to explore personal identity, compared to 36 percent of their non-LGBTQ+ peers. The digital world has become an informal classroom for self-expression and emotional growth.
Online fashion cycles have revived what many once called Indie Sleaze - the unpolished, expressive look of the late 2000s made famous by early Tumblr photos, dive-bar concerts, and flash photography.
Today’s version feels different. It is thrift-driven, gender-fluid, and intentionally imperfect. According to Vogue’s feature “Can We Ever Really Have an Indie Sleaze Revival?” the comeback reflects a cultural longing for authenticity after years of minimalism and polished influencer aesthetics (Vogue).
The Zoe Report describes Indie Sleaze’s return as “a rebellion against the curated and the clean,” linking it to post-pandemic desires for chaos, creativity, and community. For queer teens, this revival represents more than nostalgia. It gives permission to be messy, to layer textures, to mix eras, and to reject the idea that confidence has to look tidy.
Many of the style’s influences, including ripped tights, vintage leather, flash photography, and smudged eyeliner, overlap with the same thrift culture that defines Gen Z fashion. Sartorial Magazine (2024) notes that this new wave of Indie Sleaze “replaces self-destruction with self-discovery,” turning what was once reckless into something reflective and artistic. And still reckless too, duh.
Online fashion communities work because they build recognition. A queer teen scrolling through TikTok and seeing someone wear eyeliner or a skirt with a band tee understands immediately that style can be personal rather than performative. Research from San José State University’s School of Information (2023) found that LGBTQ+ youth use online networks for both creative and emotional support, helping them make sense of their identities in environments that often overlook them (SJSU, 2023).
The mix of queer fashion visibility, thrift culture, and Indie Sleaze nostalgia creates a style movement rooted in self-ownership. Teens are not dressing to be perfect; they are dressing to be real.
Every outfit post becomes part of a digital archive of self. TikTok “fit checks,” Depop listings, and Pinterest boards now serve as collective memory for a generation redefining beauty and gender. Oxford Reference (2024) describes this as the “visibility of non-normative bodies and styles,” noting that online fashion spaces allow marginalized identities to exist without apology (Oxford Reference, 2024).
In this sense, social media becomes more than a platform; it becomes a record. It preserves the looks that might otherwise disappear - the thrifted jacket, the DIY jeans, the eyeliner-smudged selfie. These are not trends that fade with time. They are evidence of growth, courage, and community.
Post-pandemic dressing became an act of joy and defiance: color, chaos, and comfort all at once.
When the world shut down in 2020, getting dressed lost all excitement. Every day felt the same. I lived in sweatpants and hoodies, and I remember feeling completely drained by it. I hated it. I felt gross, unmotivated, and invisible. My clothes stopped feeling like me, and that disconnect really got to me.
I guess it depends on how you look at it, though, because without those awful feelings, maybe I wouldn't have had such a beautiful self-discovery experience? "Glass half full" or whatever.
Really though, maybe that is why, once the world started to open back up, I became obsessed with expressing myself. I wanted color, texture, and personality. I wanted to stand out after years of feeling muted. For so many teens, that same urge became a way to feel alive again through what we wore.
After the pandemic, clothing began to symbolize renewal. Fashion psychologists noticed what they called a “dopamine dressing” effect: the tendency to wear brighter, bolder, or more experimental outfits to boost mood and confidence. According to Harper’s Bazaar (2022), "when (people) wear clothes of symbolic value to them, their perceived confidence increases".
The Business of Fashion (2023) found that nearly 70 percent of Gen Z consumers view personal style as a reflection of mental well-being, linking fashion directly to confidence and self-care. Teens were not just dressing for aesthetic reasons; they were dressing for identity, joy, and control.
The pandemic stripped away routine and a sense of self. When life resumed, clothing became one of the first ways to reclaim that. Thrifting, upcycling, and embracing revived trends like Indie Sleaze were symbolic acts of freedom. There was a collective rejection of perfection and a craving for something imperfect but real.
This return to authenticity was visible both online and offline. Minimalist aesthetics such as the “clean girl” look dominated early post-pandemic feeds, with slick hair, glowy skin, and neutral basics. Yet, as Vogue UK explains, the clean girl aesthetic “refuses to die,” even as grittier late-2000s style codes resurface through the Indie Sleaze revival - a pushback against over-curation and digital perfection.
Many teens felt disconnected from that minimalist ideal and instead leaned into thrift, DIY, and maximalist looks as an act of rebellion. It was a cultural pivot from blending in to standing out, echoing the messy creativity of early social-media fashion eras while reclaiming it with more self-awareness.
And that's the beauty of it! There's space for everybody to feel comfortable. And I love that, honestly.
Psychologists have long linked how we dress with how we feel. A Frontiers in Psychology (2022) study found that “enclothed cognition,” or the emotional influence of clothing, affects both confidence and motivation. Post-pandemic, that theory became reality. Teens began using fashion as a form of therapy - layering vintage flannels, painting denim, experimenting with color, and creating looks that helped them feel more like themselves.
The clothes themselves were never the point. It was about choosing what felt right, and about regaining autonomy. Every outfit became a way of saying, “I'm still here.”
The most striking thing about post-pandemic fashion is its optimism. Even when outfits look unplanned or chaotic, they carry a sense of joy. Fashion finally feels personal again. Teens are no longer dressing for approval; they are dressing for emotion.
As Fashionista explains, the pandemic changed how people psychologically relate to clothing, transforming getting dressed from a routine task into a meaningful expression of self-awareness and emotional recovery. This captures what makes this era of style so significant. Fashion is no longer about escaping reality. It's about embracing it and finding freedom in the act of getting dressed.
Looking back, I can see that clothing has always been one of the clearest mirrors of who we are. It’s how we experiment, recover, and connect.
For me, the shift from hiding in activewear to building outfits that felt personal was more than a change in style. It was a change in self-perception. And honestly, the best part is that it’s come full circle. I don’t feel the same pressure to perform through fashion anymore. I feel comfortable enough to know who I am, and that’s enough. Maybe it’s growth, or maybe it’s just the frontal lobe development finally kicking in.
Either way, it feels good.
The new generation of teens is doing the same thing, but on a global scale. Through social media, thrifting, and revived aesthetics like Indie Sleaze, they’re rewriting what it means to get dressed. Fashion has become a kind of language that blends identity, emotion, and culture. It’s not about perfection or following trends. It’s about creating meaning through the clothes we choose.
The internet has turned fashion into an open conversation where individuality outweighs conformity. Teens don’t wait for validation from magazines or classmates anymore. They find it in each other! In comments, in thrift finds, and in posts that feel real. There’s something powerful about that kind of visibility. It shows that fashion isn’t superficial. It’s emotional. It’s social. It’s deeply human.
In the end, clothing isn’t just what we put on our bodies. It’s what we tell the world about ourselves. Every piece, every color, every choice is a statement of selfhood. And maybe that’s the truest form of style - to wear not just what looks good, but what feels like you.
Like snapshots of growth, every outfit tells a story, a record of who we’ve been and who we’re becoming.
Business of Fashion. (2023). Gen Z’s relationship with personal style and mental well-being.
Fashionista. (2021, May 6). How the pandemic has changed fashion psychology.
Frontiers in Psychology. (2022). Enclothed cognition and the emotional influence of clothing on self-esteem.
Harper’s Bazaar. (2023, February 10). Dopamine dressing is fashion’s feel-good reset.
Jenzen, O. (2022). LGBTQ+ youth cultures and social media. University of Brighton Research Repository.
McKinsey & Company. (2023). The State of Fashion 2023: Global consumer sentiment on sustainability.
Oxford Reference. (2024). Queer visibility and non-normative fashion expressions in digital media.
Pew Research Center. (2023). Teens, social media, and identity exploration.
Sartorial Magazine. (2024, December 25). Understanding the rebirth of Indie Sleaze.
Statista. (2025). Apparel resale market share among Generation Z consumers worldwide.
The Zoe Report. (2024). The Indie Sleaze revival is upon us.
ThredUp. (2024). 2024 Resale Report.
United Nations Environment Programme. (2023). Putting the brakes on fast fashion.
Vogue UK. (2024, April 16). The “clean girl” aesthetic trend refuses to die – and why that matters.